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What does the word “art” remind you of?
You might think of paintings, carvings, prints, photographs,
or objets d’art or installations if you have something
of an artistic mind. What is common in those forms of
art is that they are meant to be viewed. Not many people
would question the definition that art is something we
appreciate with our eyes. However, there is certainly
a form of art that expects us to listen. Born and raised
in Nagoya, Yukio Fujimoto is an Osaka-based artist who
has a rare talent to create a neat piece of artwork using
sounds as a material.
“SOUND OBJECT” is a series of works that represents
Fujimoto’s artistic activities. It is composed of inexpensive,
commonly-found music boxes set on a plate, a box, or
a stand, some of the tuned teeth of which have been
intentionally bent. As the box is wound up,, it plays
music but with a dissembled melody due to the broken
teeth. Multiple boxes may be played at the same time
to improvise an ensemble in unlimited variations, depending
on how much and at which timing the boxes are wound.
A magical moment is born when an artist’s creation
and viewer’s action are united by chance. |
Another piece
of Fujimoto’s work, “EARS WITH CHAIR,” consists of a
simple composition of a chair with two pipes installed
on each side. As the viewer is seated on the chair and
puts his/her ear against one of the pipes, he/she will
hear a unique acoustic sound that swirls through the
long pipe. As the unusual sound captures the viewer’s
ear and mind, the viewer suddenly realizes that there
exists another rather strange world right next to his/her
common daily life. |
“EARS WITH CHAIR” (1/10 scale model) 2005
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“STARS” 1990
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“TARUPHON”
Yukio Fujimoto + Taruho Inagaki 1988 |
“Window”
Fujimoto, Duchamp, Morimura, 1989
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Fujimoto’s past creations include an installation
project that covered the entire exhibition floor
with fallen leaves, prints and objects using old
records, and an alphabet-themed planar production,
just to name but a few. His unfettered approach,
which challenges conventional art that is inclined
to visual expressions, inspires our interest in space
itself via various sounds and serves as a tool for
us to appreciate the world using all of our five
senses. Fujimoto often calls his own creations “philosophical
toys,” which precisely describes the essence of his
artwork. His production is also characterized by
his exclusive use of ready-made common items, which
he rarely attempts to convert. By doing so, he effectively
and interestingly proves that the essence of creative
work exists in deep consideration and that magical
creation is possible without a secret formula.
Fujimoto first moved from Nagoya to Osaka in 1971
to study music at Osaka University of Arts, which
owned an electronic music studio that was rare in
Japan at that time. Since then, Fujimoto has broadened
his creative activities from his base in Osaka. Influenced
by John Cage, Marcel Duchamp, the Beatles, and Taruho
Inagaki, Fujimoto has successfully elevated the essence
of avant-garde art in the 20th century into his own
style. While his name and work are globally recognized
today, Fujimoto deserves more acknowledgement and
respect from the local community of Osaka. To introduce
his creations, Fujimoto’s personal exhibitions are
taking place simultaneously at national and public
museums in Osaka, Hyogo, and Wakayama. If you have
not heard Fujimoto’s name before, this is a great
opportunity to experience his distinctive world of
creations. |
August 8, 2007
Text by Takafumi Kobuki, a freelance art writer |
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Born and raised in Nagoya, Fujimoto held
his first private exhibition in 1986 and has participated
in a number of private/group exhibitions both in and outside
Japan. His unique project, “Bijutsukan-no Ensoku (audio
picnic at the museum)” was a 10-year series of one-day
annual exhibitions and drew worldwide attention (at Otani
Memorial Art Museum, Nishinomiya City; 1997-2006). He has
participated in La Biennale di Venezia, one of the largest
international art exhibitions, Japan Pavilion in 2001 and
the international exhibition in 2007.
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[Hyogo]
Yukio Fujimoto: “philosophical toys”
Jun. 30 (Sat.) - Aug. 5 (Sun.)
10:00 - 17:00 (No entry after 16:30)
Closed on Wednesday
General public: 500 yen, College and High school students: 300 yen, Jr. high
school and Elementary school students: 200 yen
Otani Memorial Art Museum, Nishinomiya City
4-38 Nakahama-cho, Nishinomiya-shi, Hyogo
TEL: 0798-33-0164
URL: http://www9.ocn.ne.jp/~otanimus/ (Japanese only)
[Osaka]
Yukio Fujimoto: plus / minus
Jul. 7 (Sat.) - Sep. 17 (Mon.)
10:00 - 17:00 (No entry after 16:30), 10:00 - 19:00 on
Friday (No entry after 18:30)
Closed on Monday (Open if it falls on a public holiday;
closed on the following Tuesday)
General public: 420 yen, College students: 130 yen, High
school students: 70 yen, free for Jr. high school students
and under
The National Museum of Art, Osaka
4-2-55 Nakanoshima, Kita-ku, Osaka
TEL: 06-4860-8600 (Hello Dial)
URL: http://www.nmao.go.jp/english/home.html
[Wakayama]
Yukio Fujimoto: relations
Part 1: FUJIMOTO and
Jul. 14 (Sat.) - Sep. 24 (Mon.)
Part 2: Happy Conceptual: Tomoko Sugiyama & Yukio
Fujimoto
Jul. 14 (Sat.) - Sep. 2 (Sun.)
9:30 - 17:00 (No entry after 16:30)
Closed on Monday (Open if it falls on a public holiday;
closed on the following Tuesday)
General public: 400 yen, College students: 250 yen, Free
for High school students and under
The Museum of Modern Art, Wakayama
1-4-14 Fukiage, Wakayama-shi, Wakayama
TEL: 073-486-8690
URL: http://www.bijyutu.wakayama-c.ed.jp/ (Japanese only) |
Author Profile
Takafumi Kobuki
Worked as an editor for an information magazine and became
a freelancer in 2005. Writes art-related articles for Kyoto
Shimbun, Bijutsu Techo, Pia Kansai, ELLE, artscape (online)
and more.
Personal website: “Katte-ni RECOMMEND”
URL: http://www.recommend.ecnet.jp/
Personal blog: “Takafumi Kobuki: Art-no Kobujime”
URL: http://www.keyis.jp/
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